As the lights dimmed and the show began, we were treated to an artful collision of Jeong's modern and timeless aesthetic, emphatically displaying the designer's love of her craft – evident in her intuitive fabric choices and refusal to stray from her signature draping. Taking 30's tailoring and embellishment as her inspiration, Jeong deftly discovered ways of resurrecting the classic minimal silhouette, which originally came to international prominence with stars of the silver screen such as Marlene Dietrich and Joan Crawford wearing minimalist fashion in Hollywood.
Iraina Mancini
With an emphasis on neck lines and sexy structured bodices, Jeong's garments embodied a sense of empowerment rarely seen in a designer so young. Beautifully crafted intricate airy pleating combined with an unexpected injection of colour in the form of striking Art Deco prints created a look just as relevant in the 30's as it is today, some 80 years later. Simply blocked base colours of nude, beige and black were cleverly mixed with vintage gold and cold grey shades to create an air of elegant and youthful femininity. Offering a variety of textures and an assortment of skirt lengths to rival any high spec prêt-a-porter collection, Jeong perfectly encapsulates the spirit of 30's tailoring with this bankruptcy inducing collection, appealing to the modern working woman. A genuinely great show and an amazing collection, I loved the little details such as lace and embroidered underskirts, hip bustles and who could forget the beautiful linear print that featured on the invitation and heavily throughout the collection – most noticeably on printed colour pop silk scarves worn in the models’ hair. Accessorizing with super-skinny belts and an assortment of black knee-high boots from Dune, it was little touches such as vintage inspired leather driving gloves by Sermoneta that really offset Jeong's period designs. Soft curls by Lock On Ego added to the drama as did seductive and smoky eyes by Cosmetic á La Carte. All in all, an incredible display of staggering attention to detail and genuine raw talent making this one of my top three shows of the season.




Carrie and Samantha had the most outlandish outfits by far (pictured above). With Carrie channelling an early Madonna complete with corset, tutu, pearls, fishnets, and the obligatory big hair looking as over the top as I would have imagined her when she first moved to Manhattan in the early ‘80s. In keeping with her character Samantha opted for a more punk influenced ensemble, complete with studded denim waistcoat, snake skin effect fishnet leggings and the biggest perm I’ve seen since the emergence of glam rock!
Miranda as the professional of the group was snapped wearing a hideous variety of unflattering power suits and a particularly fetching bowl haircut making her look by far the worst (pictured above). The Upper East Side princess Charlotte looked rather similar to her modern day appearance, dressed in a preppy polo-shirt, skirt and cardigan combo. The only ‘80s influence visible was her ever so slightly back combed hair- and what on earth are those pink pompoms doing on the heels of her trainers??? (pictured below)
The influence of the legendary SATC stylist Patricia Field is clearly visible in these shots and I’m so excited to see how she dresses the cast reflecting the financial constraints of the 'credit crunch'. Absolutely can’t wait for the sequel due for release next May. And with the legendary Bette Midler snapped on set, rumour has it that she will play the role of Carrie’s mother. With a canny resemblance to SJP I think Bette Midler would be a brilliant addition to the cast and with the two working so well together when they played witches in 1993’s ‘Hocus Pocus’ I for one cannot wait.